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Liz Lawrence, St. Mary's Project in Studio Art, 2008

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Bibliography

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Bibliography

Aguilar, Laura. “Center 88” and “Center 73.” ZYZZYVA. 19.2 (Fall 2003): 81, 154.

-----. “Marilyn & Kids—Latino Lesbian Series.” The Photo Review. 13.3 (Summer 1990): 13.

-----. “Untitled.” The Photo Review. 10.3 (Summer 1987).

Antioch College. Sexual Offense Prevention Program. “The Antioch College Sexual Offense

Prevention Policy.” Yellow Springs, OH: Antioch College, 2005.

Barry, Judith and Sandy Flitterman-Lewis. “Textual Strategies: The Politics of Art-Making.” The Feminism and Visual Culture Reader. Amelia Jones, ed. New York: Routledge, 2003.

Blocker, Jane. What the Body Cost: Desire, History, and Performance. Minneapolis: University of Minnesota Press, 2004.

-----. Where Is Ana Mendieta? Identity, Peformativity, and Exile. Durham: Duke University Press, 1999.

Bonk, Ecke. Marcel Duchamp: The Box In A Valise/De Ou Par Marcel Duchamp Ou Rrose Selavy: Inventory of an Edition. New York: Rizzoli International Publications, Inc., 1989.

Bright, Deborah, ed. The Passionate Camera: Photography and Bodies of Desire. London: Routledge, 1998.

Chattopadhyay, Collette. “Ana Mendieta’s Sphere of Influence.” Sculpture. 18.5 (June 1999): 35-41.

Couple in the Cage, The. Dir. Coco Fusco and Paula Heredia. Videorecording. Chicago: Video Data Bank, 2000.

Fusco, Coco. English is Broken Here: Notes on Cultural Fusion in the Americas. New York: The New Press, 1995.

-----. The Bodies That Were Not Ours and Other Writings. New York: Routledge, 2001.

Gomez-Pena, Guillermo. Dangerous Border Crossers: The Artist Talks Back. New York: Routledge, 2000.

-----. Warrior for Gringostroika: Essays, Performance Texts, and Poetry. St. Paul, MN: Graywolf Press, 1993.

Hammond, Harmony. “Laura Aguilar.” Lesbian Art in America: A Contemporary History. New York: Rizzoli International Publications, 2000. pp. 84-85.

Hulick, Diana Emery. “Profile: Laura Aguilar.” Latin American Art. 5.3 (1993): 52-54.

Ise, Claudine. “Other Bodies.” Artweek. 26 (July 1995): 17.

Jones, Amelia. Body Art - Performing the Subject. Minneapolis: University of Minnesota Press, 1998.

-----. “Performing the Other as Self: Cindy Sherman and Laura Aguilar Pose the Subject.” Interfaces: Women/Autobiography/Image/Performance. Sidonie Smith and Julia Watson, Eds. Ann Arbor: The University of Michigan Press, 2002.

Judovitz, Dalia. Unpacking Duchamp: Art In Transit. Berkeley: University of California Press, 1998.

Kachur, Lewis. Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and Surrealist Exhibition Installations. Cambridge, MA: MIT Press, 2001.

Kuusinen, Asta M. “Shooting from the Wild Zone: A Study of the Chicana Art Photographers Laura Aguilar, Celia Álvarez Muñoz, Delilah Montoya, and Kathy Vargas.” Diss. University of Helinski, 12 May 2006.

Linker, Kate. Vito Acconci. New York: Rizoli International Publications, Inc., 1994.

Mark, Lisa Gabrielle, ed. WACK! Art and the Feminist Revolution. Los Angeles: The Museum of Contemporary Art, 2007.

Martin, Victoria, "Laura Aguilar at Susanne Vielmetter Los Angeles Projects." Artweek. 31.5 (2000): 24.

Merewether, Charles. “From Inscription to Dissolution: An essay on expenditure in the work of Ana Mendieta.” Corpus Delcti: Performance Art of the Americas. Coco Fusco, Ed. New York: Routledge, 2000. pp. 134-151.

Moure, Gloria, Donald Kuspit, et al. Ana Mendieta. Galicia, Spain: Centro Galego de Arte Contemporanea, 1996.

Rogoff, Irit. Terra Infirma: Geography’s visual culture. New York: Routledge, 2000.

Rosenthal, Mark. Understanding Installation Art: From Duchamp to Holzer. London: Prestel, 2003.

Tomkins, Calvin. Duchamp: A Biography. New York: H. Holt, 1996.

Vicuña, Cecilia et. al. The Precarious/Quipoem: The Art and Poetry of Cecilia Vicuña. Catherine M. de Zegher, ed. Esther Allen, trans. Kortrijk, Belgium: Kanaal Art Foundation, 1997.

Viso, Olga M, ed. Ana Mendieta, Earth Body: Sculpture and Performance, 1972-1985. Washington DC: The Hirshhorn Museum and Sculpture Garden, 2004. pp. 35-136.

Wark, Jayne. Radical Gestures: Feminism and Performance Art in North America. Montreal, McGill-Queen’s University Press: 2006.