Nature, and by nature I mean to include man, is the subject of
my painting. Landscape painting is the visual forum where I attempt
to come to terms with the nature of all existence, most importantly
my own. I seek to elicit powerful, primitive emotions from the
viewer such as awe, tragedy, and ecstasy - emotions that arise
from the depths when one stands in the mysterious and potentially
threatening grandeur of nature. I define this experience as the
sublime.
My artwork is a reaction against the prevailing values of American
society. I feel the sublime experience is the antithesis of modernity
and technology, which seeks to assert mankind's dominance over
nature. I would argue that nature can never be controlled or replaced.
I believe that sublime experience is the understanding of the
fragile, impermanent space we occupy as part of nature, through
which we come to understand our relationship with the world. By
choosing to evoke the sublime through the liberating, creative
act of making art, I seek to enter a protest against modernity
and offer an important artistic contribution to this ongoing dialogue.
I choose to create monumental artworks with varied media to distill
my own experience of nature. The media consist of sand, dirt,
leaves, twigs, wax, and splattered paint - reflecting my interest
in the material presence and metaphorical content that can arise
from it. The spontaneity of the action painting allows my emotion
to become a tangible presence in the work. In addition, I often
burn or scar the surfaces of the paintings, which reflects my
notion of the art making process as being comprised of both creative
and destructive acts. Great things can happen in an open-ended
art making process. Unexpected associations are discovered, new
visions developed, and revelations experienced. To be sure, great
things can also come of planning and systematic execution. I feel
that the different approaches to art making are all viable and
should be wholly embraced.